*All info on this page taken from Arthur Lloyd theatre site, which can be found here: www.arthurlloyd.co.uk/ManchesterTheatres/HulmeHippodromeTheatreManchester.htm
and Wikipedia: en.wikipedia.org/wiki/Hulme_Hippodrome
The Hulme Hippodrome, originally known as the Grand Junction Theatre and Floral Hall, opened in Preston Street, Hulme, Manchester, on 7 October 1901. It and the nearby Playhouse Theatre in Warwick Street, built at the same time, were part of the theatrical empire of W. H. Broadhead. The two venues were connected by an arcade, at the centre of which was Broadhead's company headquarters. Initially the theatre staged mainly dramatic productions, while the Playhouse presented variety performances, but in 1905 the names and functions of the theatres were interchanged: the Hippodrome became the Grand Junction, and the variety performances were transferred to the new Hippodrome.
The Hippodrome was last used as a theatre in the 1960s; from the mid-1970s until its closure in 1986 it was used as a bingo hall. Since then most of the building has remained empty, and it has been placed on Manchester City Council's Buildings at Risk Register.
The building was bought by Gilbert Deya Ministries in 1999, and services led by pastor John Ezedom are held in part of the ground floor
The Hulme Hippodrome on the corner of Chichester Road and Warwick Street, Hulme, Manchester was built next door to the Hulme Playhouse and designed by J. J. Alley who also designed several other Theatres in Manchester, including the Metropole, the Royal Osborne, the Hulme Playhouse, and the Queens Park Hippodrome along with the Pavilion Theatre in Liverpool, and several others in the Broadhead Circuit.
The Theatre was built as a home for melodrama and originally seated 3,000 when it first opened as the Grand Junction Theatre and Floral Hall in 1901. Both Theatres were connected by an arcade.
The Theatre was renamed the Hulme Hippodrome in 1905 when it became a Music Hall.
In 1942 the Theatre was renamed the Second Manchester Repertory Theatre.
In 1950 the Theatre was refurbished and the Gallery was reopened.
In 1962 the Theatre was converted for Bingo and Casino use, and then later became a nightclub which closed down in 1986.
The building is Grade II Listed and whilst the auditorium with its two galleries remain in its original state, albeit slowly falling into disrepair, the same can't be said for its original exterior which has long since been altered beyond recognition.
In October 2011 both the Hippodrome and Playhouse Theatres were still vacant and slowly decaying but although the future still looks bleak for the Playhouse the Hippodrome may be rising out of the ashes as the current owners, a church group called Deya Ministries, who had been holding services in the Theatre's foyer for some time, have now leased the Theatre to 'Youth Village' who are a not-for-profit group who plan to convert the Theatre into an arts centre and a hub for community groups across Manchester.
In Donald Auty's Twilight of the Touring Revue, he writes: "On the Monday after the week at St Helens I took the costumes props and scenery to the Hulme Hippodrome Manchester; the first of the Jimmy Brennan dates that we were to play on salary in three weeks time. I stored it in the scene dock there and went home to Dewsbury. My calling up papers were waiting for me. I was to go to Devizes and join the Pay Corps on the Thursday of the Hulme Hippodrome week."
"Hulme was a pleasure to work it was a clean well run theatre with an excellent staff well equipped and a good orchestra. I had a wonderful three days there. I left at the end of the first house on Wednesday night to join the Army. All the cast hugged and kissed me even the musical director shook hands. I wept profusely."
Behind the stage.
"I visited the show at various times when on leave. One week just before Christmas when the show was called 'Memories of Old Ireland' it was to go to the Alexandra Gardens Weymouth the following week as a pantomime, and be called 'Babes In The Wood' with very few changes. Even though I visited the show when ever I could I was not part of the family any more and felt this deeply even though the cast were wonderful to me, and there was a new cheerful musical director. So to the cast of 'Don't Be Shy Girls' and whatever else it was called I drink a toast. I love you all."
(From Twilight of the Touring Revue By Donald Auty.)